Spring Cleaning and "Hurley"

Where, may you ask have I been? I have been teaching and mothering and that is about my whole life. I decided I needed to post again because spammers are making more money off of my blog than I am. Also, I am currently teaching a high school creative writing class (which I dearly love). I wrote a short short story for them and so I actually have something to post. Here is my short story.

Hurley


Leon “Hurley” Malone was popular in his unpopularity. He had been Hurley since the 8th grade when Jamison Potter had cornered him in social studies.
“You smell so bad, you make me want to hurl,” said Jamison, he placed his meaty palm on his stomach and made retching sounds for emphasis. “Your name should be Hurley. Ya like your name, Hurley?”
The other students laughed derisively while Ms. Shumway battled with the pull down maps bolted to the wall above the white board. So Hurley became Hurley and since I was the teacher’s aide in Mrs. Boswell’s English class and saw his name “Leon” on the roles, I think I was the only one who remembered Hurley had a given name. He was even Hurley to his teachers.
Mine and Hurley’s lockers were situated near each other down the same hall for most of high school. I was, by no means popular, but I could blend. If I watched my shoes while walking down the hall, I could generally avoid eye contact and conversations with my peers. Hurley tried, but he could never get lost in the wash of the crowd. On any given day, I could hear the treble of female voices. “Eww! Nasty! Hurley touched me. Go rub your slime on someone else.” Or the lower cadences of male voices, “Hey, Hurley. Did you forget to brush this morning?” Inevitably, this would be followed by the slam of Hurley’s slender body as it was thrown into the nearest wall.
One day, while grading papers for Mrs. Boswell, my eyes ran across an entry in Hurley’s English notebook. "I can’t write about my friends. I don’t have any." I knew it was true, but actually reading it made me feel so sorry for him. Even so, I never considered offering any camaraderie or even so much as a vague smile.
Hurley and I had one, brief personal encounter. I was just finishing up my usual lunch: a peanut butter and jam sandwich smuggled into the library, daily. I was gradually making my way through an old set of World Book Encyclopedias. I had reached “M” and was just reading up on marmosets.
I heard a sound behind me. Thinking it was the librarian, I stuffed the rest of my sandwich into my mouth. I was surprised to see Hurley standing over me. It was then that the smell hit. It was not the typical B.O. but something both sweet and rotten.
“They all say I small bad.” He said. “Even the teachers complain to my mom. I don’t smell anything. Do you think I stink?”
I forced myself to swallow the one, last dry bite. I hoped my face wasn’t as hot as it felt. The words that came to mind were, “Yes, you reek of death!” But I couldn’t make my mouth form those words. All I could do was shake my head slowly side to side. I suppose I could have tried to help him at that point, but I was too slow, too faltering.
“I thought so,” he said, relieved. “I do shower, you know,” and he walked hurriedly out the back door.
Yes, Hurley stank. Over time, even his locker seemed to emanate an odor. At first, it was subtle, almost imaginary as if all of our unkind remarks had turned into an olfactory presence that clung to the hall where Hurley deposited his books. Rumors had started; at first, they stemmed from the smell. They were whispered and giggled, and passed in notes. They started blank and meaningless as white noise. “No running water. . glandular problems.”. Gradually, they took more notable shape and ranged into the absurd. On the periphery myself, I only caught fragments, “mom and dad. . . half brother and sister.” “Family of Satanists. . .”
The stories reached a roar until Hurley was more high school folklore than real person. Hurley’s increasing absences didn’t help the situation. In Coach Openshaw’s biology class, Jamison was passing around a comic strip he had just drawn. It was called, “Hurley the Human Corpse.” It showed Hurley, in caricature, walking by a potted plant that drooped and withered in the next frame as he walked by. Next it showed, in similar sequence, a tank of dead fish. . . a cafeteria of dead students. . .
“Ha! Ha! Ha” Mr Openshaw roared, “Have you all seen this?” He displayed Jamison’s artwork to the class.
Hurley came to school less and less. Even so, the funk surrounding his locker grew as did the rumors. Eventually Hurley’s attendance dwindled until the stories and the stench were all that remained. When walking by his locker, girls would theatrically cover their noses with their hands and boys would dare each other to take a whiff.
Somebody finally decided to take action and alert the faculty. Coach Openshaw lumbered down the hall followed by Jamison who pointed in the direction of Hurley’s old locker. Mr. Openshaw tried the combination lock, but when it did not give, he forced it open, bending the latch. The locker sat there open and rank. It was empty save for a plastic sandwich bag. Coach picked up the bag which contained a moldering human thumb, black and putrid.

The Poetry of Pregnancy

When I deliver a baby, my first thought is not to count fingers and toes or to check for family resemblance. Usually, I am much more selfish than that. My first thought is, Hooray! I'm not pregnant anymore! I have heard moms talk of how they love to be pregnant; how they even feel sexier than usual, or how they feel vivacious and energetic. I wish I could claim that I handle pregnancy with as much aplomb. I can't.

I feel huge, uncomfortable, overheated, and about as attractive as an over ripe pear. Mentally, I am simultaneously out of focus and prone to obsession. I could make a list of strange obsessions I have experienced while pregnant, but it would be far too telling and inexplicable. If you are acquainted with my blog, you can probably guess a few of them.

Sometimes I get so caught up in the woes of pregnancy that I forget the wonder of it. As always, I turn to literature to remind me that life is, in fact, profound and that there is nothing more profound and meaningful than its perpetuation.

I would love to compose a poem about the pregnancy experience, but I have broken the one cardinal rule of poetry composition: to write poetry, one must read poetry. I confess that I simply haven't picked up a book of poems in quite a long time and so, I must rely on what already exists.

My husband has disliked Sylvia Plath since he had to read her poem, "Daddy" in a college English course. I agree that "Daddy" is a little bitter for my tastes as well, but, when I read "Metaphors," Sylvia is my friend once again:

Metaphors

I'm a riddle in nine syllables,

An elephant, a ponderous house,

A melon strolling on two tendrils.

O red fruit, ivory, fine timbers!

This loaf's big with its yeasty rising.

Money's new minted in this fat purse.

I'm a means, a stage, a cow in calf.

I've eaten a bag of green apples.

Boarded the train there's no getting off.

Ironically, sometimes it is the male poet who is able to see past the physicality of pregnancy and to take it to a more transcendent level. This by contemporary poet Bill Kloefkorn, State Poet of Nebraska is about as gorgeous a thing as has ever been written:

Covenant

Here is the story I might have heard,

More likely dreamed: the woman

after the first trimester

required by village covenant

to compose a lullaby,

to sing it daily then

to the gathering child, only

from memory and in deliberate

isolation,

the man not permitted to listen

until the infant had been delivered

and pronounced both whole and

welcome. And this ritual

I'd go to church to live with,

solace in the belief

that not so very far away

always a woman sits singing her own

creation

to that small creation breathing

as if a delicate fish inside her,

always not so far away

a confluence of word and of music

flowing somehow into the ear

of the unborn,

there to do whatever the inexplicable does

to sustain us,

my mother meanwhile who couldn't

carry a tune in a washtub

singing as she carried the washtub

outside to empty the rinsewater,

that same tub later

filled with the well-wrung

family wash, each item on the line

moving in the breeze

like a quaint crustacean,

each movement singing.

And finally this excerpt from my favorite Dylan Thomas poem.

from Fern Hill

And then to awake, and the farm, like a wanderer white

With the dew, come back, the cock on his shoulder: it was all

Shining, it was Adam and maiden.

The sky gathered again

And the sun grew round that very day.

So it must have been after the birth of the simple light

In the first, spinning place, the spellbound horses walking warm

Out of the whinnying green stable

On the fields of praise.

Perhaps it is time for me to consider something other than the centimeters and percentages of childbirth and to ponder and enjoy the small universe of my womb; to appreciate that kicking writhing creature whose creation like all great creations starts, "In the beginning. . ."

A Letter to my Dears

As you know, I am due at the end of July. I went to the doctor today and he informed me that I am at 1.5 cm and 50% effaced. (The 1.5 could be the result of 3 other deliveries or it could be that I'm actually making progress.) Whatever the case, he felt as if I might have fewer than 5 weeks. Music to my ears!

Nerd Porn

Can you guess what's wrong with this picture?

Ten Reasons to Love Neil Gaiman (a.k.a. He was aware of my existance for a brief moment)

As stated in a previous post, I have recently discovered and have become a member of Neil Gaiman fandom.  For lack of anything else to post, I am going to list my top 10 reasons for loving Neil Gaiman.   I love Gaiman:

1) Because Tori Amos references him by name on her album "Little Earthquakes." "Little Earthquakes" was one of my favorites in high school.  If you are at all familiar with the song "Tear in Your Hand," the lyrics are as follows, "If you need me, me and Neil'll be hanging out with the dream king."  I always wondered who Neil was. . .now I know.

2) Because he has a great speaking voice- more specifically his accent. I always feel a bit embarrassed when American girls swoon over British accents because it seems so silly and superficial, however, listening to Gaiman read, is definitely worth while.  Not only is he a superb writer, he is also a superb reader.  His interpretation adds dimension and significance to his work.

3) Because Gaiman is no Bradbury:  he is not a social recluse. Nor is he a technophobe.  He doesn't seem to mind that his fans want to know what he is up to so he blogs, Twitters, Goodreads, and has a website for his children and young adult fans.  I'm sure there's other ways to cyber-stalk him.  Fill me in if you know them.  As a matter of fact he randomly selected my lame question to answer on his blog today. (The last one on his post.  Yup, that's me.)

4)  For his crazy hair.

5) Because his prose floats.  Gaiman can write and write well about any subject he chooses.  If I try to read anything less than Robertson Davies after I have read a Gaiman novel, the dialogue seems flat and the plot predictable.  (Does he really mean to do this to other authors? What about us aspiring writers?  It's so unfair.)

6) For his book jackets.  

Would I usually find a man who looks like this attractive or is it just because he's Neil?  The world may never know, but I do enjoy looking at the back cover of Anansi Boys.  Apparently, I'm not alone.

7) For his leather jacket. (Click on the wardrobe to the right once you find yourself in "The Living Room.")

8) Because he is the most contemporary of authors.  Gaiman's work does not show his age.  He lives in the here and now.  Just as he is unafraid of technology, he is also unafraid to team with other contemporary artisits and writers.  He has written Blueberry Girl for Tori Amos.  He has teamed with Terry Pratchett to write Good Omens, has toured with Amanda Palmer, and the likes of Stephin Merrit have been seen lurking around his midwestern home.  Unlike Gaiman, I will show my age and mention that I didn't know who half these people were until I read his blog.

9) Because of his generosity to his fans.  Did I mention that he reads the ENTIRE Graveyard Book online?  Yes, I believe I have, but I will mention it again because I think it is phenomenal that one can listen to this year's Newbery award winner for free.  Another of my favorite Gaiman freebies is his short story "Chivalry."  There are also more freebies available.  Send me a comment as you discover them.  Did I mention he chose my question about this on his blog?

10) Because of his absolute versatility.  Gaiman is the first author whose works I can read one after another and never get bored or tired of his style.  His books are so entirely different from each other, the only prediction I can make upon opening a new volume is that it will be interesting, intelligent, and well-written.  Beyond that, I can't even tell you if I will love it.  I may notlike it at all, but I can appreciate the level of skill put into each piece.  A word of advice:  do not write Gaiman off if you don't love him at your first reading.  Put it down and try something else. One work does not indicate the merits of another.

Also, along the lines of versatility.  Gaiman has written (successfully) picture books, graphic novels, short stories, poetry, novels, screen plays, and a number of journalistic pieces.  Pretty impressive.

Pilgrimage

Whan that Aprill with his shoures soote The droughte of March hath perced to the roote And bathed every veyne in swich licour Of which vertu engendered is they flour; Whan Zephirus eek with his sweete breeth Inspired hath in every holt and heeth The tendre croppes, and the yonge sonne Hath in the Ram his halfe cours yronne, And smale fowles maken melodye, That slepen al the nyght with open eye- (So priketh hem Nature in hir corages); Thanne longen folk to goon on pilgrimages. . .                                      Geoffery Chaucer- The Canterbury Tales Like Chaucer's pilgrims of old, my family and I harkened to the call of spring and took some time off to travel.  Chaucer is right; spring is a great time to leave home and see the countryside. Unfortunately, I did not have the pleasure of traveling with the loquacious Wife of Bath, the jolly cook, or the creative nun's priest, but like Chaucer's pilgrims, there was good company and a lot of  great stoytelling.  The pilgrimage is as archetypical to religion as the snake and the tree, the flood, or the apocalypse.  The Buddists travel to Kapilavastu to see the Buddah's birthplace.  Jews and Christians alike travel to Israel to see where prophets strode.  Many still travel to Greece to make their winding way to Delphi.  Unlike the pilgrims of old or the steadfast Tibetan monks, my family and I boarded a plane.  The location was not particularly exotic: it was no Thebes, Lhasa, or Jerusalem.  In fact, it is a little known place except to members of The Church of Jesus Christ of Latter-day Saints (Mormons.)  We spent our spring break in Missouri and Illinois to visit sites only as ancient as the 1840's. Like Chaucer's pilgrims who travled to visit the resting place of the martyr Sir Thomas a' Becket, we travled to sites related to the founding prophet of our religion and martyr, Joseph Smith.  We saw the jail in Liberty, Missouri where Smith and seven of his follwers were held captive for five brutal winter months and where Smith received some of his most hopeful revelation that has now been canonized in modern scripture.  We traveled to (and spent most of our time in) Nauvoo, Illinois built on the banks of the Mississippi River by early Mormon settlers: a testament to their faith and work ethic.  There, we saw the homes and tombs of the martyred prophet and his brother, Hyrum Smith.  One brisk morning, we traveled to Carthage, Illinois to visit the Carthage Jail (ironically a much more hospitable place than Liberty) where Joseph and Hyrum Smith were shot and killed by an senseless mob (the door still bears the bullet holes from that day.) Perhaps my family and I did not have to walk to Mecca and suffer en route (does a turbulent flight count?),  but the purpose of our pilgrimage was much the same for us as it has been for pilgrims throughout time:  to make it real; to explore and examine and reaffirm the roots of our belief. During my time in Illinois, I was able to walk where my ancestors once walked and to see that my life, like theirs, is only one part of a greater work.

Penelope at the Loom

Today she will entwine red

the color of sunrise.

She pulls over and through vertical

Threads- packed hard down with the 

Shuttle leaving tight neat knots.

This is how she always spends her days

She thinks of her husband gone twenty years

Their infant son now a man.  How bitterly

Those hours spent arranged in colored weave

that shows no time, like the shore

licked nightly clean by tide.  She craves

Odysseus to float to her front door

heralded by seagull cries- a piece of driftwood

dropped, joyously, at her feet.

A freshness in the air and she recalls last night's 

buffet of rain that crushed out suitors' revels-

left olive leaves strewn over hard packed ground.

All summer gone in those leaves

all sundrench all dew.  Gaia giving

then destroying

what took eternity to grow.

Her days weave nights and nights unravel days

The tight weft of hours built up and loosed

Ceaselessly storing moments like coins.

Dawn's rosy finger streak the dark

Light has streaked her hair

By the rythm of some loom.